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Author/Titlesort ascending Research Type Related Fields
Elizabeth A. Osborne and Shelby Lunderman. ”This is the Dawning of the Age of the Online Course: Process, Practice, & Pageantry in Introduction to Theatre.” Mid-America Theatre Conference. Minneapolis, Minnesota. March 17-20, 2016. Conferences History
Article Writing Seminar for the Latino Theatre Focus Group, ATHE. Denver, CO. August 2008. Conferences, Graduate Critical Theory
Adcock-Starr, Leah.  (April 2014). "B.F.F.’s and the Bard: Reclaiming the Importance of Female Friendship in William Shakespeare’s A Midsummer Night’s Dream".  Paper presented at Shakespeare 450: Societe Francaise Shakespeare.  Paris, France. Conferences Directing, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies, Shakespeare
"DADA’s Queer Ontologies:  Tzara, Ball, and Pluriversal Politics at Cabaret Voltaire,"  Mid-America Theatre Conference, March 2016 Conferences 20th Century, Aesthetics, Culture, Modernism, Queer Studies, Race and Ethnicity
"'Better to burn': The Stage, the Church, and the Construction of Woman in Late Fourth Century Antioch," Association for Theatre in Higher Education (ATHE), Religion and Theatre Debut Panel, July, 2014 Conferences Ancient, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies, Popular Culture, Religion, Theater History, Theory/Criticism
2018 Theatre History Symposium of MATC (Mid-America Theatre Conference) in Milwaukee, WIPanel: The Upside Downs: Mobile Theatres, Confinement, and Parallel StagesChair: Robert Shimko, University of Houston Conferences 18th Century, Feminism and Feminist Theory, French, Historiography, History, Performance Studies
"(Gestural Ontologies): Simian Sociality in the Production of Early Modern Universals," Living with Animals, EKU, Richmond, March, 2017 Conferences 17th Century, Drama, Ecocriticism, Global and Transnational Studies, Popular Culture, Theater History
2018 Theatre History Symposium of MATC (Mid-America Theatre Conference), Milwaukee, WI. Panel: "Counter Spin: Racial and Counter-Cultural Clap Blacks." Conferences Latin American, Latino/a Studies, Performance Studies, Postcolonial
2018 Interdisciplinary Graduate Students Conference (IGSC) in Seattle, WA.  "Being a Hedgehog: Isolation, Creativity, and Destruction." Conferences Critical Theory, Hispanic Studies, Literature and Other Arts, Spanish, Theory/Criticism
2017 American Asociation for Theatre Research Conference (ASTR), "Extraordinary Bodies."  Working Group: "Global South" Conferences Diaspora Studies, Global and Transnational Studies, Historiography, Indigenous, Latin American, Latino/a Studies, Performance Studies, Postcolonial
2015 ASTR Working Group: 'Mobilizing Effective Scholarship and Performance Today: Advocacy and Activism in Indigenous Research and Performance in the Americas' - "Performing Textual Communities: Lear Khehkwaii and Alaska Native Shakespeare" Conferences Activist Theater, American Indian/Native American, Directing, Performance Studies
 “’A medium for informing persons:’ Kamishibai and Land Reform in Allied Occupied Japan” Mid-America Theatre Conference. Cleveland, Ohio, March 6-9, 2014. Conferences Japanese, Theater History
 “The Politics and Aesthetics of Play:  The Wartburg Book-Burning and Hellenic Masculinity in the Construction of the German Nation,” (Re)Presenting Archives, University of British Columbia, April, 2014 Conferences 18th Century, 19th Century, Aesthetics, Gender, Women, and Sexuality Studies, German, Popular Culture, Race and Ethnicity, Theater History
 "Picante or Szechuan?: Aquiring a Taste for Ethnic Performance," ASTR. Las Vegas, NV. November 2004. Conferences, Graduate Critical Theory
 "Intersections and Collaborations: Dramaturg and Director Case Studies in Conversation," Association for Theatre in Higher Education, Montreal, July/August 2015 Conferences 17th Century, 18th Century, Directing, Dramaturgy, French, Opera
"You Are What You Eat: Mexicanidad and Producing Valdez's Los Vendidos." SW/Texas Popular Culture Assoc./American Culture Association. Albuquerque, NM. Feb. 2005. Conferences, Graduate Critical Theory
"University of Washington Students' Work Related to Women of Sand." SW/TX Popular/American Culture. Albuquerque, NM. Conferences, Graduate Critical Theory
"The Violent Spatializing of Time:  Colonizing Utopian Imaginaries in Seventeenth-Century Barbados,"  International Medieval Congress, Kalamazoo, 2016. Conferences 17th Century, Ecocriticism, Global and Transnational Studies, Postcolonial, Race and Ethnicity, Religion
"The Theoretical Work of Jose Cruz Gonzalez." ATHE. Los Angeles, CA. Conferences, Graduate Critical Theory
"The Revelation of the Sensible: Theatre and Science in Seventeenth-Century Revolutionary England," ATHE, Boston, August, 2018 Conferences 17th Century, Performance Studies, Religion, Science and Technology, Theater History
"The Private vs. Public Death of a Patriarch in 'All My Sons' and 'August: Osage County,'" ATDS, Comparative Drama Conference, 'Revealing Patriarch: Cruelty, Corruption, and Death in Contemporary U.S. Drama' Panel, Baltimore, MD, April 2013. Conferences American, Playwriting
"The Matter of the Heart:  Vesalius, Vivisection, and the Mediation of Print," What Performs? The American Society for Theatre Research, Animals Perform Working Session, November, 2014 Conferences 16th Century, Italian, Popular Culture, Reception Studies, Science and Technology
"The Commerce of Textual Sex: How Ken Davenport Made My First Time." American Society for Theatre Research Conference, November 2011. Conferences, Graduate Critical Theory
"The Behzti Riot: Revising the Narrative of Post-Wold War II Radical Theatre in Biew of Non-Leftist Performance," Mid-America Theatre Conference 2014, History Symposium #13. Conferences Critical Theory
"Teatro Visión’s 2006 Production of Alfaro’s Electricidad: Reclaiming the Mexican Heritage Plaza," ATHE. New Orleans, LA. July 2007. Conferences, Graduate Critical Theory