| Author/Title |
Research Type |
Related Fields |
| "Enacting Engravings: The Pictorial Narrative of Il Pomo d'Oro," Mid-America Theatre Conference, March 2013. |
Conferences, Graduate |
Critical Theory |
| "Creating a Young Epic Audience in Loomer’s Bocón.” SW/TX Popular Culture Assoc./American Culture Assoc. Albuquerque NM. February 2006. |
Conferences, Graduate |
Critical Theory |
| "Brown University Production of The Hungry Woman (A Mexican Medea): An Alert of Things to Come." Play Review. Ollantay Theatre Magazine, Spring/Summer 2008 |
Publications, Reviews, Graduate |
Critical Theory |
| Zimmerman, Shadow D. (2016). The Anima in Theatre: Animating a Jungian Concept for Devisers, Directors, and Actors. UC Santa Cruz: Theater Arts. http://escholarship.org/uc/item/17r577jp. |
Graduate, Masters Theses |
20th Century, Acting Pedagogy, Ancient, Dramaturgy, Gender, Women, and Sexuality Studies, Masks, Theater History, Theory/Criticism, Tragedy |
