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Scott Magelssen. “Actors as Surrogate Sufferers? Toward a Model for Well-Being in Acting Training.” Humanities and Human Flourishing Project. Oxford University Press, 2023. |
Publications, Essays |
Acting, Directing, Theater History, Theory/Criticism, Performance Studies |
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“Sighting Segregation Black aesthetics and the materiality of art in St. Louis and Ferguson,” in The Material World of Modern Segregation edited by Iver Bernstein and Heidi Kolk, 2022. |
Publications, Essays |
21st Century, Aesthetics, African American, American, Choreography, History, Performance Studies, Race and Ethnicity, Social Justice, Visual Culture |
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Scott Magelssen. “Dinosaurs, Racial Anxiety, and Curatorial Intervention: Whiteness and Performative Historiography in the Museum.” Special Issue on Theatre Historiography, ed. Michal Kobialka. Pamietnik Teatralny 70.4 (2022). |
Publications, Essays |
Theater History, 19th Century, 20th Century, Historiography, History, Indigenous, Performance Studies, Popular Culture, Race and Ethnicity |
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Scott Venters, “Embodiment and Ontological Fragility in the Fabrication of Early Royal Society Taxa,” in Identity, Culture, and the Science of Performance: From the Lab to the Streets, eds. Vivian Appler and Merdith Conti (Bloomsbury, 2022 – Forthcoming) |
Publications, Essays |
Theater History, 17th Century, Culture, Performance Studies, Science and Technology |
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Performing Flight: From the Barnstormers to Space Tourism. Ann Arbor: University of Michigan Press, 2020. |
Publications, Books |
Theater History, Culture, Historiography, Performance Studies, Popular Culture, Visual Culture |
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Zimmerman, Shadow D. "Marinetti and Mussolini: Performing Citizenship in Anti-Fascist Italy." Theatre Symposium, Volume 28: Citizenship, edited by Andrew Gibb. Tuscaloosa: University of Alabama Press, 2020. |
Publications, Essays |
Modernism, Performance Studies |
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Scott Magelssen and Shelby Lunderman. “Tactical Slowness: Fomenting a Culture of Mental Health in the Academy.” Reversing the Cult of Speed in Higher Education: The Slow Movement in the Arts and Humanities. Ed. Jonathan Chambers and Stephannie Gearhart (Routledge, 2018). |
Publications, Essays |
Culture, Drama, Performance Studies, Popular Culture, Theater History |
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Tracy C. Davis and Stefka Mihaylova, eds. Uncle Tom's Cabins: The Transnational History of America's Most Mutable Book. Ann Arbor: The University of Michigan Press, 2018. |
Publications, Books |
19th Century, 20th Century, 21st Century, Drama, Global and Transnational Studies, Literature and Other Arts, Performance Studies |
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Scott Venters, "'Better to burn': The Prima Mimarum and Political Friction in Fourth-Century Antioch," Theatre Journal (March, 2018). |
Publications |
Ancient, Classics, Gender, Women, and Sexuality Studies, Performance Studies, Popular Culture, Religion |
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Axel Andersson and Scott Magelssen, “Performing a Viking History of America: The 1893 Voyage and Display of a Viking Longship at the Columbus Quadricentennial.” Theatre Journal 69.2 (June 2017), pp. 175-195. |
Publications, Essays |
19th Century, Culture, Historiography, History, Performance Studies, Popular Culture, Scandinavian, Theater History, Theory/Criticism, Visual Culture |
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Scott Magelssen, “Our Academic Discipline is Making Us Sicker.” Special Section: ASTR’s 60th Anniversary. Theatre Survey 57.3 (September, 2016) 389-394. |
Publications, Essays |
Culture, Performance Studies, Popular Culture, Theater History |
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Scott Magelssen, “White-Skinned Gods: Thor Heyerdahl, The Kon-Tiki Museum, and the Racial Theory of Polynesian Origins.” TDR: The Drama Review 60.1 [T229] (Winter, 2016). |
Publications, Essays |
Indigenous, Performance Studies, Popular Culture, Postcolonial, Race and Ethnicity, Scandinavian, Theater History |
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"'Would you die for the Fatherland?': Disciplining the German Commemorative Body," Theatre History Studies 35 (2016): 39-72. |
Publications, Essays |
18th Century, 19th Century, 20th Century, Culture, Dance, Modernism, Performance Studies, Popular Culture, Race and Ethnicity |
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"'The ransome of Prides fury': The Executions as the Hope Bear-Garden and the (De)Mythologization of the English Commonwealth." New England Theatre Journal 26 (2015): 1-20. |
Publications, Essays |
17th Century, English, Performance Studies, Popular Culture, Theater History |
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"Brooklyn’s Experimental Frontiers: A Performance Geography” TDR: The Drama Review 58:3 (August 2014): 97-123. |
Publications, Essays |
Theater History, 21st Century, Activist Theater, American, Experimental, Performance Studies, Postcolonial, Race and Ethnicity |
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Scott Magelssen. Simming: Participatory Performance and the Making of Meaning. U of Michigan Press, 2014. |
Publications, Books |
Theater History, Performance Studies, Popular Culture |
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Thomas Postlewait and Tracy C. Davis, editors. Theatricality. Cambridge UP, 2003. |
Publications, Books |
Drama, Performance Studies |
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Cortes, Monica Munoz (1995). The Works of Anna Deavere Smith: An Exploration of Otherness. The Berkeley McNair Journal, 3 (Summer 1995), 87-97 |
Publications, Essays |
Acting, Activist Theater, Critical Theory, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies, Performance Studies, Theater History, Theory/Criticism |