| “Framing Violence in Interspecies Relations: Encountering Flesh as Neoliberal Spatio-temporal Imaginary in The Portland Meat Collective," ASTR 2015, Portland |
Conferences |
21st Century, Activist Theater, Aesthetics, Critical Theory, Popular Culture, Social Change, Visual Culture |
| “Framing Violence in Interspecies Relations: Encountering Flesh as Neoliberal Spatio-temporal Imaginary in The Portland Meat Collective," ASTR 2015, Portland |
Conferences |
21st Century, Activist Theater, Aesthetics, Ecocriticism, Performance Studies, Social Change, Social Justice |
| “Forest, Orchards, and Fallow Fields: Chekhov’s Moral Philosophy,” invited talk, Chekhov in the 21stCentury: A Symposium, Theatre Department, Lewis and Clark College, June 28, 2018 |
Conferences |
Drama, Modernism, Theater History |
| “Forced Entertainment’s Live Simulacrum: Automata, Liveness, and the Human Actor’s Virtuosity,” plenary, ASTR, Baltimore, 2014 |
Conferences |
21st Century, English, Experimental, Radical Theater, Theory/Criticism |
| “Finding the Border in the 2005 Mark Taper Forum Production of Alfaro’s Electricidad." Comparative Drama. Los Angeles. March 2007. |
Conferences, Graduate |
Critical Theory |
| “Dinosaurs, Race, and the Staging of Civilization: Lileana Blain-Cruz’s revival of The Skin of Our Teeth at Lincoln Center.” Mid-America Theatre Conference (MATC), Madison, 2024. |
Conferences |
Acting, Design, Directing, Theater History, Visual Culture |
| “Courts of Love and Performing Religious Justice.” Panelist, American Theatre in Higher Education Annual Conference, Detroit MI (Remote), July 2020. |
Conferences |
Theater History, Theory/Criticism, 21st Century, Dramaturgy, Gender, Women, and Sexuality Studies, Religion |
| “Casting Stare-able Bodies: Mabou Mines’ Dollhouse,” American Society for Theatre Research, Atlanta, 2017 |
Conferences |
Disability, Drama, Modernism, Postmodern, Radical Theater, Theory/Criticism |
| “Brown University Production of The Hungry Woman (A Mexican Medea): An Alert of Things to Come." Medea Myth: Mutations and Permutations Conference. Bristol UK. July 2006. |
Conferences, Graduate |
Critical Theory |
| “British Sikh Flaneurs: How the Failure of Multiculturalism Produces a Contemporary Avant-Garde,” plenary, ASTR, Portland, 2015. |
Conferences |
Drama, English, Gender, Women, and Sexuality Studies, Race and Ethnicity, Radical Theater, Reception Studies, Theory/Criticism |
| “Authentic Sensations: Female Bodies and Creating Spiritual Affect.” Panelist, American Theatre in Higher Education Annual Conference, Detroit MI (Remote), July 2020. |
Conferences |
Theater History, 19th Century, American, Dramaturgy, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies, Religion |
| “Arousing the Empathic Gendered Subject: Transpecies Domesticity and Sentient Spectacles in the Early Enlightenment,” Animal Engagements, ASTR Forum, La Jolla, CA, November, 2018. |
Conferences |
17th Century, 18th Century, Drama, Gender, Women, and Sexuality Studies, Popular Culture |
| “The Octopus: Becoming Guatemalan in a Home Depot Parking Lot.” American Society for Theatre Research 2013 Annual Meeting. Dallas, TX. |
Conferences, Graduate |
Critical Theory |
| Rogus, Amanda Marie "Vygotskian Teaching Methods in the Pandemic: Creating an Interactive Environment in a Virtual Composition Course" SAMLA Conference (November 2021) |
Conferences |
Acting Pedagogy |
| Rogus, Amanda M. “Two Hands are Better Than One: A Paleographic Exploration of Henslowe's Diary” Mid-America Theatre Conference, Cleveland, OH. (March 2019) |
Conferences |
Theater History |
| Rogus, Amanda M. “Treachery Thy Name is Barabas; Lawfulness Thy Name is Shylock: Yet Villainy in Both?” College English Association Conference, St. Petersburgh, FL. (April 2018) |
Conferences |
Shakespeare |
| Rogus, Amanda M. “The Pedagogy of Trauma Drama: Teaching a Trauma-Informed Understanding of Measure for Measure” - Mid-America Theatre Conference, Chicago, IL. (March 2020) |
Conferences |
Acting Pedagogy |
| Rogus, Amanda M. “The Patriarchal Matriarch: An Analysis of Women’s Power in Jen Silverman’s Plays” Race and Gender Roles Conference, Miami, OH. (February 2017) |
Conferences |
Theater History, Theory/Criticism |
| Rogus, Amanda M. “One Collective Sensation in the Greek Chorus Line: A Performance Reflection of Oedipus” Ancient Theatre Conference, Lynchburg, VA. (October 2018) |
Conferences |
Acting, Theater History |
| Rogus, Amanda M. “Ignorant or Seem So Craftily”: Isabella and Angelo’s Rhetoric in Measure for Measure” South Atlantic Modern Language Association Conference Atlanta, GA. (November 2019) |
Conferences |
Shakespeare |
| Rogus, Amanda M. “Exit Juliet Pursued by Romeo: Exploring Storytelling Shifts in Explicit Stage Directions” College English Association Conference, New Orleans, LA. (March 2019) |
Conferences |
Shakespeare |
| Rogus, Amanda M. “Early Modern Villainy?: Law’s Role in Shakespeare’s Merchant and Marlowe’s Malta” Elizabethan and Jacobean Conference, Harrisonburg, VA. (November 2017) |
Conferences |
Shakespeare |
| Rogus, Amanda M. “A Play by Any Other Name Would Sound as Sweet: Paleographical Proof of Mispronunciation in Henslowe’s Diary” - Mid-America Theatre Conference, Chicago, IL. (March 2020) |
Conferences |
Theater History |
| Rogus, Amanda M. "Shakespeare's Survivors: The Representation of the Philomela Character Across the Dramatic Canon" Wooden O Symposium, Online Zoom Presentation due to COVID-19. (August 2020) |
Conferences |
Shakespeare |
| Panelist, Seattle GeekGirlCon, “Beyond the Stage: Exploring Theater Fandom,” October 2017 This panel takes a closer look at current theater fandom. Panelists discuss how they have been impacted by the shows they love, why some shows inspire such passionate fans, how fandoms have grown and evolved over the years, and more! |
Conferences |
Musical Theater |
