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Conferences

Author/Titlesort descending Research Type Related Fields
"The Behzti Riot: Revising the Narrative of Post-Wold War II Radical Theatre in Biew of Non-Leftist Performance," Mid-America Theatre Conference 2014, History Symposium #13. Conferences Critical Theory
"The Commerce of Textual Sex: How Ken Davenport Made My First Time." American Society for Theatre Research Conference, November 2011. Conferences, Graduate Critical Theory
"The Theoretical Work of Jose Cruz Gonzalez." ATHE. Los Angeles, CA. Conferences, Graduate Critical Theory
"University of Washington Students' Work Related to Women of Sand." SW/TX Popular/American Culture. Albuquerque, NM. Conferences, Graduate Critical Theory
"You Are What You Eat: Mexicanidad and Producing Valdez's Los Vendidos." SW/Texas Popular Culture Assoc./American Culture Association. Albuquerque, NM. Feb. 2005. Conferences, Graduate Critical Theory
 "Picante or Szechuan?: Aquiring a Taste for Ethnic Performance," ASTR. Las Vegas, NV. November 2004. Conferences, Graduate Critical Theory
2018 Interdisciplinary Graduate Students Conference (IGSC) in Seattle, WA.  "Being a Hedgehog: Isolation, Creativity, and Destruction." Conferences Critical Theory, Hispanic Studies, Literature and Other Arts, Spanish, Theory/Criticism
Article Writing Seminar for the Latino Theatre Focus Group, ATHE. Denver, CO. August 2008. Conferences, Graduate Critical Theory
Motherhood Research Group: “Subverting La Llorona in Loomer’s Bocón." ASTR. Toronto. November 2005. Conferences, Graduate Critical Theory
“The Octopus: Becoming Guatemalan in a Home Depot Parking Lot.” American Society for Theatre Research 2013 Annual Meeting. Dallas, TX. Conferences, Graduate Critical Theory
“Brown University Production of The Hungry Woman (A Mexican Medea): An Alert of Things to Come." Medea Myth: Mutations and Permutations Conference. Bristol UK. July 2006. Conferences, Graduate Critical Theory
“Finding the Border in the 2005 Mark Taper Forum Production of Alfaro’s Electricidad." Comparative Drama. Los Angeles. March 2007. Conferences, Graduate Critical Theory
“Framing Violence in Interspecies Relations:  Encountering Flesh as Neoliberal Spatio-temporal Imaginary in The Portland Meat Collective," ASTR 2015, Portland Conferences 21st Century, Activist Theater, Aesthetics, Critical Theory, Popular Culture, Social Change, Visual Culture
“Hope Seen From the Theatre of Death in Marisol.” Comparative Drama. Northridge, CA. March 2005. Conferences, Graduate Critical Theory
“Tattooing in Two Contemporary Chicano Plays." National Popular Culture Assoc./American Culture Association. Atlanta GA. April 2006. Conferences, Graduate Critical Theory
“The Last ‘Last Meal’: Reexamining Execution and the Performance of Power.” Mid-America Theatre Conference. Houston, Texas. March 16-19, 2017. Conferences Critical Theory, Social Justice, Theory/Criticism
“The Reclamation of Angst and Self in These Streets: A Rock ‘n’ Roll Story.” University of British Columbia Graduate Symposium. Vancouver, B.C. Conferences, Graduate Critical Theory
“The Use of Tattooing as Masculine Rite of Passage in Alfaro’s Electricidad and Moraga’s The Hungry Woman: A Mexican Medea." Comparative Drama. Los Angeles, CA. March 2006. Conferences, Graduate Critical Theory
“The Women of Grunge (Re)membered.” Mid America Theatre Conference Annual Meeting. Cleveland, OH. Conferences, Graduate Critical Theory
“These Streets: How Theater and Memory Fuse to Revise Grunge History,” Mid-America Theatre Conference 2014, History Symposium #3 Conferences Critical Theory
“Unborn Narratives of Time and Subjective Enunciation in Soyinka’s Death and the King’s Horseman,” Frontiers and Borders, Oklahoma State University, March, 2012  Conferences 20th Century, African, Critical Theory, Drama, Postcolonial, Religion, Social Change, Theater History
“Weeping Women of Electricidad." Comparative Drama. Los Angeles, CA. March 2007. Conferences, Graduate Critical Theory
“‘The ransome of Prides fury’: The Executions at the Hope Bear-Garden and the (De)Mythologization of the English Commonwealth,” Mid America Theatre Conference (MATC), March, 2013 Conferences 17th Century, Critical Theory, Popular Culture, Religion, Theater History
““A Weak Woman Beat Them”: Constructing Feminine Leadership and Resistance” Panelist, Mid-American Theatre Conference, Chicago, IL. 8 March 2020 Conferences Theater History, 17th Century, Critical Theory, Dramaturgy, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies

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