|
"Mourning in Eurydice by Sarah Ruhl," Comparative Drama. Los Angeles, CA. |
Conferences, Graduate |
Critical Theory |
|
Garfinkle, David U. The rise and fall of the passions of Elizabeth Barry, reading Restoration figures of the first modern actress in the civic legacy of Sir William D'Avenant. 2010. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Acting, Theater History, 17th Century, Drama, Gender, Women, and Sexuality Studies |
|
Jackson-Schebetta, Lisa K. Staging Spain, Staging America: Representations of Spain in U.S. Hispanic and Anglo Theatre, 1931-1939. 2010. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Theater History, 20th Century, American, Drama, Hispanic Studies, Spanish |
|
"Girls Who Do Boys: Teatro Luna’s MACHOS.” SW/TX Popular/American Culture. Albuquerque, NM. February 2009. |
Conferences, Graduate |
Critical Theory |
|
Theatre Review, “Hotel Pro Forma”, 2008 Sanat Dünyamiz. Güz 2008 -108th issue Yapi Kredi Kültür Yayincilik, p. 8-10, and in the 15th issue of Mimesis, in the 2008 Istanbul Theatre Festival dossier. |
Publications, Reviews, Graduate |
Critical Theory |
|
Book Review of Performance Practice and Process. New Theatre Quarterly, Spring 2008 |
Publications, Reviews, Graduate |
Critical Theory |
|
Book Review of The Performance Studies Reader. for New Theatre Quarterly, Spring 2008 |
Publications, Reviews, Graduate |
Critical Theory |
|
"Brown University Production of The Hungry Woman (A Mexican Medea): An Alert of Things to Come." Play Review. Ollantay Theatre Magazine, Spring/Summer 2008 |
Publications, Reviews, Graduate |
Critical Theory |
|
Dramaturgy. Electricidad. Teatro Nuevo Mexico/Tricklock International Revolutions Festival. Albuquerque, NM. January 2008. |
Creative Work, Productions, Graduate |
Dramaturgy |
|
Article Writing Seminar for the Latino Theatre Focus Group, ATHE. Denver, CO. August 2008. |
Conferences, Graduate |
Critical Theory |
|
Davidson, Derek Samuel. Martyrdom as a performance tradition. 2008. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Drama, Performance Studies, Religion |
|
Theatre Review, “Birinci ÇGSG Sahne Sanatlari Bulusmasinin Ardindan...”, Tiyatro Tiyatro, July 2007, on the contributing performances at the first convention of the contemporary performance arts in Istanbul between May 22nd and June 3rd. |
Publications, Reviews, Graduate |
Critical Theory |
|
Book translation, Sehirler, published in December 2007, by Yapi Kredi Kültür Yayincilik: Reader, John. 2004. Cities London: William Heinemann. Citation for my translation: Reader, John. Sehirler. trans. F. Bahar Karlidag. Istanbul: YKY, 2007. |
Publications, Translations, Graduate |
Critical Theory |
|
“Finding the Border in the 2005 Mark Taper Forum Production of Alfaro’s Electricidad." Comparative Drama. Los Angeles. March 2007. |
Conferences, Graduate |
Critical Theory |
|
"Teatro Visión’s 2006 Production of Alfaro’s Electricidad: Reclaiming the Mexican Heritage Plaza," ATHE. New Orleans, LA. July 2007. |
Conferences, Graduate |
Critical Theory |
|
“Weeping Women of Electricidad." Comparative Drama. Los Angeles, CA. March 2007. |
Conferences, Graduate |
Critical Theory |
|
Cole, Scott W. Traumatized performance: Antebellum Methodist camp meetings and the re-making of the American frontier. 2007. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Theater History, 19th Century, American, Drama |
|
Grodzik, Walter Eugene. Parodies, paradox, pair o'divas: An oral history scrapbook of feminist opera's Derivative Duo. 2007. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Theater History, Drama, Feminism and Feminist Theory, Opera |
|
Dramaturgy. Jason and the Golden Fleece. Seattle Children's Theatre. Seattle, WA. October - November 2006. |
Creative Work, Productions, Graduate |
Dramaturgy |
|
"Creating a Young Epic Audience in Loomer’s Bocón.” SW/TX Popular Culture Assoc./American Culture Assoc. Albuquerque NM. February 2006. |
Conferences, Graduate |
Critical Theory |
|
“The Use of Tattooing as Masculine Rite of Passage in Alfaro’s Electricidad and Moraga’s The Hungry Woman: A Mexican Medea." Comparative Drama. Los Angeles, CA. March 2006. |
Conferences, Graduate |
Critical Theory |
|
“Tattooing in Two Contemporary Chicano Plays." National Popular Culture Assoc./American Culture Association. Atlanta GA. April 2006. |
Conferences, Graduate |
Critical Theory |
|
“Brown University Production of The Hungry Woman (A Mexican Medea): An Alert of Things to Come." Medea Myth: Mutations and Permutations Conference. Bristol UK. July 2006. |
Conferences, Graduate |
Critical Theory |
|
Polster, Joshua E. Rethinking Arthur Miller: Symbol and structure. 2006. University of Washington, PhD dissertation. |
Graduate, Dissertations |
20th Century, American, Drama |
|
Reilly, Kara Elizabeth. Automata: A Spectacular History of the Mimetic Faculty. 2006. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Theory/Criticism, Drama |