|
Seifert, Kristin. Brecht between Mediums: Reevaluating Epic Theory in Theatre and Film. 2019. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Theory/Criticism, 20th Century, Drama, Film/Cinema, German |
|
Straus, Matthew. "Beggars begging. Thieves thieving. Whores whoring." Friedrich Schiller and Bertolt Brecht's Epic Theater. University of Washington, PhD dissertation. In progress. |
Graduate, Dissertations |
German |
|
Theatre Review, “Aksiyon ve Performans”, E, October 2003, p. 68-70, on the projects and performances of Jerzy Grotowski and Thomas Richards Workcenter held in Istanbul in August 2003. |
Publications, Reviews, Graduate |
Critical Theory |
|
Theatre Review, “Birinci ÇGSG Sahne Sanatlari Bulusmasinin Ardindan...”, Tiyatro Tiyatro, July 2007, on the contributing performances at the first convention of the contemporary performance arts in Istanbul between May 22nd and June 3rd. |
Publications, Reviews, Graduate |
Critical Theory |
|
Theatre Review, “Grotowski Tiyatrosu ve Düsündükleri; Grotowski Bulusmasi”, in Oyun, a quarterly theatre and performance periodical, issue no. 3, 2010, p. 54-60; 71-80. |
Publications, Reviews, Graduate |
Critical Theory |
|
Theatre Review, “Hotel Pro Forma”, 2008 Sanat Dünyamiz. Güz 2008 -108th issue Yapi Kredi Kültür Yayincilik, p. 8-10, and in the 15th issue of Mimesis, in the 2008 Istanbul Theatre Festival dossier. |
Publications, Reviews, Graduate |
Critical Theory |
|
Theatre Review, “Önemli Seyler Oluyor”, E, August 2003, p. 52-54 on Pina Bausch’s Istanbul Project performed in June 2003, also including introductory notes to the Workcenter’s above-mentioned projects as forth-coming event. |
Publications, Reviews, Graduate |
Critical Theory |
|
Theatre Review, “Tek Kisilik Sehir”, E, April 2003, p.49-50 on Behiç Ak’s play performed and produced by Aksanat Prodüksiyon Tiyatrosu, directed by Isil Kasapoglu. |
Publications, Reviews, Graduate |
Critical Theory |
|
Tourniaire, Guillaume. Show Boat's "Make Believe": Subversion of Stereotype and Sympathy as Liberalism. University of Washington, PhD dissertation. In progress. |
Graduate, Dissertations |
Theater History, 20th Century, Dramaturgy, Musical Theater, Race and Ethnicity |
|
Trainor, Sebastian. Ubu's Moment: Lost Histories of a Fin-de-Siecle Avant Garde Theatre. 2024. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Theater History, Theory/Criticism, 19th Century, Drama |
|
Translation, “Gerçekçilik” from “The Introduction/Realism” in Richard Ellman & Fiedelson, Charles, Jr, Eds. The Modern Tradition: Backgrounds of Modern Literature, New York: Oxford University Press, 1965, as appeared in E, November 2003, p.50-54. |
Publications, Translations, Graduate |
Critical Theory |
|
Translation, “Sembolizm” from “The Introduction/Symbolism” in Richard Ellman & Fiedelson, Charles, Jr, Eds. The Modern Tradition: Backgrounds of Modern Literature. New York:Oxford University Press. 1965 as appeared in E, June 2003, p.78-84. |
Publications, Translations, Graduate |
Critical Theory |
|
Translation, “Siirde Düsüncenin Rolü – Siir, Dil ve Düsünce”, “Role of Thought in Poetry, Poetry, Language and Thought”, Paul Valery, in Richard Ellmand & Fiedelson, Charles, Jr, Eds. The Modern Tradition: Backgrounds of Modern Literature, New York: Oxford University Press, 1965, as appeared in E, August 2003, p. 56-62. |
Publications, Translations, Graduate |
Critical Theory |
|
Venters, Scott. The (Im)mediate Animal: An Anti-theatrical History of Interspecies Entanglements in Enlightenment Transactions, 1640-1800. 2021. University of Washington, PhD dissertation. |
Graduate, Dissertations |
17th Century, 18th Century, English, French |
|
Villiers, Eric. Staging Queer, Queer(ing) Curation: Queer Art, Queer Performativity, and Queer Curatorial Practices in Art Museums. University of Washington, PhD dissertation. In progress. |
Graduate, Dissertations |
20th Century, 21st Century, Performance Studies |
|
Warrick, John A. The Medieval Theatrical Hell-mouth: Ritual/Colonial Formations and Protestant Transformations in Anglo/Saxon and Early Modern England. 2006. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Drama, English, Medieval, Religion |
|
Wighs, Robert. Alaska Native Theatre: Cultural Resurgence and Reception in Post-Statehood Alaska. University of Washington, PhD dissertation. In progress. |
Graduate, Dissertations |
American |
|
Womack, Malcolm. Harlem Holiday: The Cotton Club, 1925-1940. 2013. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Theater History, 20th Century, African American, American, Drama |
|
Zimmerman, Shadow. Mediating Black Modernisms: Charles S Johnson and His Circle, Printing Opportunity and Performing the New Negro. 2022. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Theory/Criticism, 20th Century, African American, Popular Culture |
|
“The Octopus: Becoming Guatemalan in a Home Depot Parking Lot.” American Society for Theatre Research 2013 Annual Meeting. Dallas, TX. |
Conferences, Graduate |
Critical Theory |
|
“Brown University Production of The Hungry Woman (A Mexican Medea): An Alert of Things to Come." Medea Myth: Mutations and Permutations Conference. Bristol UK. July 2006. |
Conferences, Graduate |
Critical Theory |
|
“Finding the Border in the 2005 Mark Taper Forum Production of Alfaro’s Electricidad." Comparative Drama. Los Angeles. March 2007. |
Conferences, Graduate |
Critical Theory |
|
“Hope Seen From the Theatre of Death in Marisol.” Comparative Drama. Northridge, CA. March 2005. |
Conferences, Graduate |
Critical Theory |
|
“Resolution through Radio: Juvenile Delinquency, Buffalo, and the Federal Theatre Project." MA in Theatre Studies Thesis. Florida State University. 2016. |
Graduate, Masters Theses |
20th Century, American, Historiography, Social Change, Theater History |
|
“Tattooing in Two Contemporary Chicano Plays." National Popular Culture Assoc./American Culture Association. Atlanta GA. April 2006. |
Conferences, Graduate |
Critical Theory |
