| Panelist, "The Macabre, the Mystifying, and the Memorable," First Annual Conference on Dark Tourism |
Conferences |
Performance Studies, Theory/Criticism |
| Motherhood Research Group: “Subverting La Llorona in Loomer’s Bocón." ASTR. Toronto. November 2005. |
Conferences, Graduate |
Critical Theory |
| Keynote Address, "Staging American Memories," Toulouse, France. |
Conferences |
American, Theater History |
| Judith Shahn is a board member of the Voice and Speech Trainers Association and attended the London conference at The Royal Central School of Speech and Drama |
Conferences |
Devised Work, Music, Performance Studies, Singing, Speech, Voice |
| International Federation for Theatre Research, "Conversations with a silenced past and current oppressions: a film-set activism of Turkish unions" Part of the panel: Political Performances,Performing the Past in Prison Theatre / Archive, Space and Resistance |
Conferences |
20th Century, Turkish |
| Heiner, Catherine. "Casting and Creating Importance: Complicating Race and Gender in Wilde's The Importance of Being Earnest." Mid-American Theatre Conference (MATC), Cleveland, OH, 3 March 2022. |
Conferences |
Theater History, Theory/Criticism, Dramaturgy, Queer Studies |
Farooqi, Amna, “Reverberations of Empire: Fix + Foxy’s DARK NOON,” American Society for Theatre
Research (November 2024) |
Conferences |
Aesthetics, African, Diaspora Studies, Drama, Social Justice |
| Farooqi, Amna, “Little Amal, Refugee Performance, and the Performative Possibilities of Hope,” American Society for Theatre Research (November 2025) |
Conferences |
Drama, Performance Studies, Puppetry |
| Farooqi, Amna, “Do You See It Too?: A Triptych,” Performance Studies international (December 2025) |
Conferences |
Performance Studies, Race and Ethnicity, Reception Studies |
| Farooqi, Amna, Rachael Herren and Julian Wong-Nelson, “Affects as/of Excess,” The Association for the Study of the Arts of the Present (October 2024) |
Conferences |
21st Century, Aesthetics, Global and Transnational Studies, Performance Studies, Theory/Criticism |
| Elizabeth A. Osborne and Shelby Lunderman. ”This is the Dawning of the Age of the Online Course: Process, Practice, & Pageantry in Introduction to Theatre.” Mid-America Theatre Conference. Minneapolis, Minnesota. March 17-20, 2016. |
Conferences |
History |
| Article Writing Seminar for the Latino Theatre Focus Group, ATHE. Denver, CO. August 2008. |
Conferences, Graduate |
Critical Theory |
| Adcock-Starr, Leah. (April 2014). "B.F.F.’s and the Bard: Reclaiming the Importance of Female Friendship in William Shakespeare’s A Midsummer Night’s Dream". Paper presented at Shakespeare 450: Societe Francaise Shakespeare. Paris, France. |
Conferences |
Directing, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies, Shakespeare |
| "DADA’s Queer Ontologies: Tzara, Ball, and Pluriversal Politics at Cabaret Voltaire," Mid-America Theatre Conference, March 2016 |
Conferences |
20th Century, Aesthetics, Culture, Modernism, Queer Studies, Race and Ethnicity |
| "'Better to burn': The Stage, the Church, and the Construction of Woman in Late Fourth Century Antioch," Association for Theatre in Higher Education (ATHE), Religion and Theatre Debut Panel, July, 2014 |
Conferences |
Ancient, Feminism and Feminist Theory, Gender, Women, and Sexuality Studies, Popular Culture, Religion, Theater History, Theory/Criticism |
2018 Theatre History Symposium of MATC (Mid-America Theatre Conference) in Milwaukee, WI Panel: The Upside Downs: Mobile Theatres, Confinement, and Parallel Stages
Chair: Robert Shimko, University of Houston |
Conferences |
18th Century, Feminism and Feminist Theory, French, Historiography, History, Performance Studies |
| "(Gestural Ontologies): Simian Sociality in the Production of Early Modern Universals," Living with Animals, EKU, Richmond, March, 2017 |
Conferences |
17th Century, Drama, Ecocriticism, Global and Transnational Studies, Popular Culture, Theater History |
| 2018 Theatre History Symposium of MATC (Mid-America Theatre Conference), Milwaukee, WI. Panel: "Counter Spin: Racial and Counter-Cultural Clap Blacks." |
Conferences |
Latin American, Latino/a Studies, Performance Studies, Postcolonial |
| 2018 Interdisciplinary Graduate Students Conference (IGSC) in Seattle, WA. "Being a Hedgehog: Isolation, Creativity, and Destruction." |
Conferences |
Critical Theory, Hispanic Studies, Literature and Other Arts, Spanish, Theory/Criticism |
| 2017 American Asociation for Theatre Research Conference (ASTR), "Extraordinary Bodies." Working Group: "Global South" |
Conferences |
Diaspora Studies, Global and Transnational Studies, Historiography, Indigenous, Latin American, Latino/a Studies, Performance Studies, Postcolonial |
| 2015 ASTR Working Group: 'Mobilizing Effective Scholarship and Performance Today: Advocacy and Activism in Indigenous Research and Performance in the Americas' - "Performing Textual Communities: Lear Khehkwaii and Alaska Native Shakespeare" |
Conferences |
Activist Theater, American Indian/Native American, Directing, Performance Studies |
| “’A medium for informing persons:’ Kamishibai and Land Reform in Allied Occupied Japan” Mid-America Theatre Conference. Cleveland, Ohio, March 6-9, 2014. |
Conferences |
Japanese, Theater History |
| “The Politics and Aesthetics of Play: The Wartburg Book-Burning and Hellenic Masculinity in the Construction of the German Nation,” (Re)Presenting Archives, University of British Columbia, April, 2014 |
Conferences |
18th Century, 19th Century, Aesthetics, Gender, Women, and Sexuality Studies, German, Popular Culture, Race and Ethnicity, Theater History |
| "Picante or Szechuan?: Aquiring a Taste for Ethnic Performance," ASTR. Las Vegas, NV. November 2004. |
Conferences, Graduate |
Critical Theory |
| "Intersections and Collaborations: Dramaturg and Director Case Studies in Conversation," Association for Theatre in Higher Education, Montreal, July/August 2015 |
Conferences |
17th Century, 18th Century, Directing, Dramaturgy, French, Opera |
