Conferences

Completed/published

Short Title People Involved Related Fields
"The Private vs. Public Death of a Patriarch in 'All My Sons' and 'August: Osage County,'" ATDS, Comparative Drama Conference, Baltimore, MD, April 2013. (2013) Robert Wighs American, Playwriting
“‘The ransome of Prides fury’: The Executions at the Hope Bear-Garden and the (De)Mythologization of the English Commonwealth,” MATC (2013) Scott Venters 17th Century, Critical Theory, Popular Culture, Religion, Theater History
The Octopus: Becoming Guatemalan in a Home Depot Parking Lot,” ASTR. (2013) Christopher Goodson Critical Theory
"Enacting Engravings: The Pictorial Narrative of Il Pomo d'Oro," MATC. (2013) Elizabeth Coen Critical Theory
"Silencing the Fool: The Hanswurst  Controversy of 18th Century Vienna," ASECS. (2013) Elizabeth Coen Critical Theory
"The Octopus: Becoming Guatemalan in a Home Depot Parking Lot," You Are Here: The Post-Thematic Conference, ASTR. (2013) Christopher Goodson Critical Theory
"'The Most Famous Man in the U.S. Meets the Most Famous Woman in France': Thomas Edison, Sarah Bernhardt and the Birth of Motion Pictures," You Are Here: The Post-Thematic Conference, ASTR. (2013) Sarah Marsh Critical Theory, Film/Cinema
"First Person, Plural," You Are Here: The Post-Thematic Conference, ASTR. (2013) Odai Johnson Critical Theory
"Stained by Tears: Circulation of Affect in Professional and Amateur Performance in Early Modern Osaka,"  You Are Here: The Post-Thematic Conference, ASTR. (2013) Jyana Browne Critical Theory
"Emanuel Fried’s Working Class Theatre," You Are Here: The Post-Thematic Conference, ASTR. (2013) Barry Witham Critical Theory
"Taksim Square, Squared," You Are Here: The Post-Thematic Conference, ASTR. (2013) Bahar Karlidag Critical Theory
“Unborn Narratives of Time and Subjective Enunciation in Soyinka’s Death and the King’s Horseman,” OSU (2012) Scott Venters 20th Century, African, Critical Theory, Drama, Postcolonial, Religion, Social Change, Theater History
"Food in  José Cruz Gonzalez’s Calabasas Street," SW/TX Popular/American Culture. (2012) Critical Theory
"The Commerce of Textual Sex: How Ken Davenport Made My First Time,"  ASTR. (2011) Elizabeth Coen Critical Theory
“Tamburlaine and Sublime Auto-Generation:  A Lexical Geography of the Senecan Womb,” Renaissance Ethics Symposium at Yale (2010) Scott Venters 16th Century, Aesthetics, Ancient, Classics, Drama, Gender, Women, and Sexuality Studies, Popular Culture, Religion, Theater History, Tragedy
"Latino Theatre for Young Audiences." presented: "Marketing to a New Audience: Seattle Children's Theatre and Tomás and the Library Lady.” ATHE. (2010) Critical Theory
"Latino Theatre for Young Audiences," ATHE. (2010) Critical Theory
"The Theoretical Work of Jose Cruz Gonzalez," ATHE. (2010) Critical Theory
"Mourning in Eurydice by Sarah Ruhl," Comparative Drama. (2010) Critical Theory
"Girls Who Do Boys: Teatro Luna’s MACHOS.” SW/TX Popular/American Culture. (2009) Critical Theory
Article Writing Seminar for the Latino Theatre Focus Group, ATHE. (2008) Critical Theory
“Finding the Border in the 2005 Mark Taper Forum Production of Alfaro’s Electricidad," Comparative Drama. (2007) Critical Theory
"Teatro Visión’s 2006 Production of Alfaro’s Electricidad: Reclaiming the Mexican Heritage Plaza," ATHE. (2007) Critical Theory
“Weeping Women of Electricidad," Comparative Drama. (2007) Critical Theory
"Creating a Young Epic Audience in Loomer’s Bocón,” SW/TX Popular Culture Assoc./American Culture Assoc. (2006) Critical Theory

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