| Book Review, Zehra Ipsiroglu, Gençler Için Nazim Hikmet Oyunlari. E, May 2003, p. 9 |
Publications, Reviews, Graduate |
Critical Theory |
| Book translation, Sehirler, published in December 2007, by Yapi Kredi Kültür Yayincilik: Reader, John. 2004. Cities London: William Heinemann. Citation for my translation: Reader, John. Sehirler. trans. F. Bahar Karlidag. Istanbul: YKY, 2007. |
Publications, Translations, Graduate |
Critical Theory |
| Bounds, Mackenzie. Technophobic Drama: America’s Stages Fearing Machines, University of Washington, PhD dissertation. In progress. |
Graduate, Dissertations |
19th Century, 20th Century, 21st Century, History, Literature and Other Arts, Performance Studies |
| Browne, Jyana. Creating a Public: Love Suicide on the Osaka Stage, 1703-1722. 2017. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Theater History, 18th Century, Drama, Japanese |
| Cheek O'Donnell, Sydney Elizabeth. An exaggerated life: Franca Rame on the political stage. 2004. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Theater History, Drama |
| Cima, Gibson A. Postconflict Nostalgia: Postapartheid South African Theatre, 1990-2010. 2012. University of Washington, PhD dissertation. |
Graduate, Dissertations |
20th Century, 21st Century, African, Drama |
| Coen, Elizabeth. Staging Theater to Realize a Nation: The Development of German National Theater in the 18th Century. 2016. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Theater History, 18th Century, Drama, German |
| Cole, Scott W. Traumatized performance: Antebellum Methodist camp meetings and the re-making of the American frontier. 2007. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Theater History, 19th Century, American, Drama |
| Cortes Viharo, Monica. Trauma Drama: The Translocal Legibility of Trauma and Utopia in Contemporary Feminist Performance. 2021. University of Washington, PhD dissertation. |
Graduate, Dissertations |
21st Century, Performance Studies |
| Cross, Lezlie C. In the Beaten Way of Friendship: Horace Howard Furness, Edwin Booth, and the New Variorum Shakespeare. 2013. University of Washington, PhD dissertation. |
Graduate, Dissertations |
19th Century, American, Drama, Shakespeare |
| Davidson, Derek Samuel. Martyrdom as a performance tradition. 2008. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Drama, Performance Studies, Religion |
| Dawson, Gregory. The nineteenth century origins of feminist solo performance. 2004. University of Washington, PhD dissertation. |
Graduate, Dissertations |
19th Century, Drama, Gender, Women, and Sexuality Studies |
| Dramaturgy. Death and the Maiden. Latinos Unidos. Seattle, WA. September 2014. |
Creative Work, Productions, Graduate |
Dramaturgy |
| Dramaturgy. Electricidad. Teatro Nuevo Mexico/Tricklock International Revolutions Festival. Albuquerque, NM. January 2008. |
Creative Work, Productions, Graduate |
Dramaturgy |
| Dramaturgy. Jason and the Golden Fleece. Seattle Children's Theatre. Seattle, WA. October - November 2006. |
Creative Work, Productions, Graduate |
Dramaturgy |
| Dramaturgy. Perla. Teatro Visíon. San Jose, CA. April 2010. |
Creative Work, Productions, Graduate |
Dramaturgy |
| Eckard, Jason. Tenth and Eleventh Century Liturgical Drama and the Rise of the Latin Christian Church. University of Washington, PhD dissertation. In progress. |
Graduate, Dissertations |
Theater History, Critical Theory, French, History, Medieval, Spanish |
| Eric Villiers, “Staging Queer, Queer(ing) Curation: Queer Art, Queer Performativity, and Queer Curatorial Practices in Art Museums,” expected 2024. |
Graduate, Dissertations |
Theater History, Theory/Criticism, 20th Century, 21st Century, Critical Theory, Culture, Historiography, Queer Studies |
| Essay, "Bir Biçim Polemiği: Fredric Jameson’ın Marksizm ve Form eseri ışığında Brecht-Lukacs tartışması ve Üç Kuruşluk Opera eseri üzerinde bir uygulama.” Septet Interdiscipliary Journal for the Arts, Humanities, and Social Sciences Vol 2. June 2012. |
Publications, Essays, Graduate |
Critical Theory |
| Finque, Susan. Re-story(y)ing Theatre History in the Americas: Professional Players and the Callao Contract of 1599. 2017. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Gender, Women, and Sexuality Studies, Latin American |
| Fitzmorris, James M. Summoning the spectacle. 2004. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Drama, Performance Studies |
| Garfinkle, David U. The rise and fall of the passions of Elizabeth Barry, reading Restoration figures of the first modern actress in the civic legacy of Sir William D'Avenant. 2010. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Acting, Theater History, 17th Century, Drama, Gender, Women, and Sexuality Studies |
| Goodson, Christopher. Performing Precarity: Experimental Theater, Video, and Live Political Art with Undocumented Immigrants. 2017. University of Washington, PhD dissertation. |
Graduate, Dissertations |
21st Century, Aesthetics, Devised Work, Diaspora Studies, Experimental, Film/Cinema, Latino/a Studies, Performance Studies, Social Justice |
| Granshaw, Michelle. The Hibernicon and Visions of Returning Home: Popular Entertainment in Irish America from the Civil War to World War I. 2012. University of Washington, PhD dissertation. |
Graduate, Dissertations |
19th Century, 20th Century, American, Drama |
| Grodzik, Walter Eugene. Parodies, paradox, pair o'divas: An oral history scrapbook of feminist opera's Derivative Duo. 2007. University of Washington, PhD dissertation. |
Graduate, Dissertations |
Theater History, Drama, Feminism and Feminist Theory, Opera |
