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Odai Johnson. Ruins: Classical Theatre and the Archeology of Memory. Book in progress.
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Publications, Books |
Ancient, Classics, Theater History |
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“Space: Postdramatic Geography in Post-Collapse Seattle,” in Postdramatic Theatre and Form, edited by Michael Shane Boyle, Matt Cornish, and Brandon Woolf. London: Methuen Drama Bloomsbury, 2019: 48-65. |
Publications, Essays |
Theater History, 21st Century, Aesthetics, American, Experimental, German, History, Postmodern, Race and Ethnicity, Radical Theater |
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“Black love? Black love!: All Aboard the presence of punk in Seattle’s NighTraiN” Women & Performance: a journal of feminist theory 22: 2-3 (November 2012): 315-323. |
Publications, Essays, Reviews |
Theater History, Theory/Criticism, 21st Century, Aesthetics, African American, American, Music |
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Volume 1. 1750–1915: Theatre in the Colonies and the United States, Barry Witham, Cambridge University Press |
Publications, Books |
Theater History |
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Viewers in Distress: Race, Gender, Religion, and Avant-Garde Performance at the Turn of the 21stCentury |
Publications, Books |
Theater History, Theory/Criticism, 20th Century, 21st Century, Aesthetics, Gender, Women, and Sexuality Studies, Postmodern, Race and Ethnicity, Radical Theater, Reception Studies |
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Uncle Sam Presents, University of Pa Press, (with Tony Buttitta) |
Publications, Books |
20th Century, American, Theater History |
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Thomas Postlewait. The Cambridge Introduction to Theatre Historiography. Cambridge UP, 2009. |
Publications, Books |
Historiography, Theater History |
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Thomas Postlewait. Prophet of the New Drama: William Archer and the Ibsen Campaign. Greenwood Press, 1986. |
Publications, Books |
19th Century, 20th Century, Drama, English, Theater History |
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Thomas Postlewait, series editor. Studies in Theatre History and Culture. U of Iowa Press, 1991-2012. |
Publications, Books |
Culture, Theater History |
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Thomas Postlewait, editor. Victorian Science and Victorian Values: Literary Perspectives. Annals of the New York Academy of Sciences, 1981. Reprinted, Rutgers UP, 1985. |
Publications, Books |
19th Century, Drama, English, Science and Technology, Theater History |
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Thomas Postlewait and Bruce McConachie, editors. Interpreting the Theatrical Past: Essays in the Historiography of Performance. U of Iowa P, 1989. |
Publications, Books |
Historiography, Theater History |
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Theatre Survey, Cambridge University Press, May 2017. |
Publications, Essays |
Ancient, History, Theater History |
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The Federal Theatre Project, A Case Study, Barry Witham, Cambridge Studies in American Theatre and Drama, Cambridge University Press, 2009 |
Publications, Books |
20th Century, Theater History |
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Scott Venters, “Embodiment and Ontological Fragility in the Fabrication of Early Royal Society Taxa,” in Identity, Culture, and the Science of Performance: From the Lab to the Streets, eds. Vivian Appler and Merdith Conti (Bloomsbury, 2022 – Forthcoming) |
Publications, Essays |
Theater History, 17th Century, Culture, Performance Studies, Science and Technology |
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Scott Magelssen. “Dinosaurs, Racial Anxiety, and Curatorial Intervention: Whiteness and Performative Historiography in the Museum.” Special Issue on Theatre Historiography, ed. Michal Kobialka. Pamietnik Teatralny 70.4 (2022). |
Publications, Essays |
Theater History, 19th Century, 20th Century, Historiography, History, Indigenous, Performance Studies, Popular Culture, Race and Ethnicity |
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Scott Magelssen. Simming: Participatory Performance and the Making of Meaning. U of Michigan Press, 2014. |
Publications, Books |
Theater History, Performance Studies, Popular Culture |
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Scott Magelssen. Living History Museums: Undoing History Through Performance. Scarecrow, 2007. |
Publications, Books |
Popular Culture, Theater History |
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Scott Magelssen, “White-Skinned Gods: Thor Heyerdahl, The Kon-Tiki Museum, and the Racial Theory of Polynesian Origins.” TDR: The Drama Review 60.1 [T229] (Winter, 2016). |
Publications, Essays |
Indigenous, Performance Studies, Popular Culture, Postcolonial, Race and Ethnicity, Scandinavian, Theater History |
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Scott Magelssen, “Our Academic Discipline is Making Us Sicker.” Special Section: ASTR’s 60th Anniversary. Theatre Survey 57.3 (September, 2016) 389-394. |
Publications, Essays |
Culture, Performance Studies, Popular Culture, Theater History |
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Scott Magelssen and Shelby Lunderman. “Tactical Slowness: Fomenting a Culture of Mental Health in the Academy.” Reversing the Cult of Speed in Higher Education: The Slow Movement in the Arts and Humanities. Ed. Jonathan Chambers and Stephannie Gearhart (Routledge, 2018). |
Publications, Essays |
Culture, Drama, Performance Studies, Popular Culture, Theater History |
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Scott Magelssen and Rhona Justice-Malloy, editors. Enacting History. U of Alabama Press, 2011. |
Publications, Books |
Museum Studies/Museology, Popular Culture, Theater History |
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Rizzardi, Jonathan M. “The Andreia of Grieving: Rehearsing Heroic Grief on the Ancient Athenian Stage.” New England Theatre Journal 33, no 1 (2022). |
Publications, Essays |
Theater History, Classics, Gender, Women, and Sexuality Studies, Queer Studies, Tragedy |
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Revista Paso de Gato, No. 73 (abril-junio 2018). Ciudad de Mexico, Mexico. |
Publications, Reviews |
Drama, Dramaturgy, Latin American, Latino/a Studies, Theater History |
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Performing Flight: From the Barnstormers to Space Tourism. Ann Arbor: University of Michigan Press, 2020. |
Publications, Books |
Theater History, Culture, Historiography, Performance Studies, Popular Culture, Visual Culture |
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London in a Box - Englishness and Theatre in Revolutionary America. University of Iowa Press. |
Publications, Books |
Theater History, 18th Century, American, History |
