| Theatre Review, “Aksiyon ve Performans”, E, October 2003, p. 68-70, on the projects and performances of Jerzy Grotowski and Thomas Richards Workcenter held in Istanbul in August 2003. |
Publications, Reviews, Graduate |
Critical Theory |
| The Modern Girl Around the World Research Group (Alys Eve Weinbaum, Lynn M. Thomas, Priti Ramamurthy, Uta G. Poiger, Madeleine Yue Dong, and Tani E. Barlow, eds.)The Modern Girl Around the World. Durham: Duke University Press, 2008. Print. |
Publications, Books |
20th Century, Culture, Feminism and Feminist Theory |
| The Federal Theatre Project, A Case Study, Barry Witham, Cambridge Studies in American Theatre and Drama, Cambridge University Press, 2009 |
Publications, Books |
20th Century, Theater History |
| Stefka Mihaylova. “Whose Performance Is It, Anyway? Performed Criticism as a Feminist Strategy.” New Theatre Quarterly, 2009. |
Publications, Essays |
Feminism and Feminist Theory |
| Stefka Mihaylova. “Reading Corneille with Brecht: The Comedy of Illusion and the Illusions of Citizenship.” The Theatre of Tony Kushner: New Essays on the Art and Politics of the Plays. Ed. by James Fisher, 2006. |
Publications, Essays |
17th Century, 20th Century |
| Stefka Mihaylova. Review of Theatre of Estrangement: Theatre, Practice, Ideology, by Silvija Jestrovic. Contemporary Theatre Review, 2008. |
Publications, Reviews |
20th Century |
| Stefka Mihaylova. Review of Reading Modern Drama. Theatre Journal, 2013. |
Publications, Reviews |
Drama |
| Stefka Mihaylova. Review of Endgame, by Samuel Beckett, directed by Frank Gallati, Steppenwolf Theatre, Chicago. Journal of Beckett Studies, 2011. |
Publications, Reviews |
20th Century |
| Scott Venters, “Embodiment and Ontological Fragility in the Fabrication of Early Royal Society Taxa,” in Identity, Culture, and the Science of Performance: From the Lab to the Streets, eds. Vivian Appler and Merdith Conti (Bloomsbury, 2022 – Forthcoming) |
Publications, Essays |
Theater History, 17th Century, Culture, Performance Studies, Science and Technology |
| Scott Venters, "'Better to burn': The Prima Mimarum and Political Friction in Fourth-Century Antioch," Theatre Journal (March, 2018). |
Publications |
Ancient, Classics, Gender, Women, and Sexuality Studies, Performance Studies, Popular Culture, Religion |
| Scott Magelssen. “Dinosaurs, Racial Anxiety, and Curatorial Intervention: Whiteness and Performative Historiography in the Museum.” Special Issue on Theatre Historiography, ed. Michal Kobialka. Pamietnik Teatralny 70.4 (2022). |
Publications, Essays |
Theater History, 19th Century, 20th Century, Historiography, History, Indigenous, Performance Studies, Popular Culture, Race and Ethnicity |
| Scott Magelssen. “Actors as Surrogate Sufferers? Toward a Model for Well-Being in Acting Training.” Humanities and Human Flourishing Project. Oxford University Press, 2023. |
Publications, Essays |
Acting, Directing, Theater History, Theory/Criticism, Performance Studies |
| Scott Magelssen. Simming: Participatory Performance and the Making of Meaning. U of Michigan Press, 2014. |
Publications, Books |
Theater History, Performance Studies, Popular Culture |
| Scott Magelssen. Living History Museums: Undoing History Through Performance. Scarecrow, 2007. |
Publications, Books |
Popular Culture, Theater History |
| Scott Magelssen, “White-Skinned Gods: Thor Heyerdahl, The Kon-Tiki Museum, and the Racial Theory of Polynesian Origins.” TDR: The Drama Review 60.1 [T229] (Winter, 2016). |
Publications, Essays |
Indigenous, Performance Studies, Popular Culture, Postcolonial, Race and Ethnicity, Scandinavian, Theater History |
| Scott Magelssen, “Our Academic Discipline is Making Us Sicker.” Special Section: ASTR’s 60th Anniversary. Theatre Survey 57.3 (September, 2016) 389-394. |
Publications, Essays |
Culture, Performance Studies, Popular Culture, Theater History |
| Scott Magelssen and Shelby Lunderman. “Tactical Slowness: Fomenting a Culture of Mental Health in the Academy.” Reversing the Cult of Speed in Higher Education: The Slow Movement in the Arts and Humanities. Ed. Jonathan Chambers and Stephannie Gearhart (Routledge, 2018). |
Publications, Essays |
Culture, Drama, Performance Studies, Popular Culture, Theater History |
| Scott Magelssen and Shelby Lunderman. “Slow Down or Else: The Perils of Rapidity on Academics’ Mental Health.” In Reversing the Cult of Speed in Higher Education, edited by Jonathan Chambers and Stephanie Gearhart. Routledge, 2019. |
Publications, Essays |
Theory/Criticism |
| Scott Magelssen and Rhona Justice-Malloy, editors. Enacting History. U of Alabama Press, 2011. |
Publications, Books |
Museum Studies/Museology, Popular Culture, Theater History |
| Rogus, Amanda. “Ignorant or Seem So Craftily:” Isabella and Angelo’s Rhetoric in Shakespeare’s Measure for Measure,” US English Education Review, vol. 19, no. 7, July 2020, pp. 219-224. |
Publications, Essays |
Shakespeare |
| Rogus, Amanda. “Educating Survivors: The Traumatic Effects of Sexual Assault on Student Academic Achievement in Graduate Education,” Journal of Psychology Research, vol. 10, no 3, June 2020, pp. 94-100. |
Publications, Essays |
Activist Theater |
| Rogus, Amanda. "Exit Juliet Pursued by Romeo: Exploring Storytelling Shifts in Explicit Stage Directions,” CEA Critic, John Hopkins University Press, vol. 81, no. 3, November 2019, pp. 274-280. |
Publications, Essays |
Shakespeare |
| Rogus, Amanda M. “Tempting a Temptress: Analyzing Cleopatra’s Growing Dominance with Antony’s Shrinking Masculinity in Antony and Cleopatra,” US English Education Review, vol. 16, no. 9, Sept. 2018, pp. 447-459. |
Publications, Essays |
Shakespeare |
| Rogus, Amanda M. "Treachery Thy Name is Barabas, Lawfulness Thy Name is Shylock, Yet Villainy in Both?: Law's Role in Marlowe's Malta and Shakespeare's Merchant," Spectrum, vol. 29, no. 2, May 2016, pp. 58-64. |
Publications, Essays |
Shakespeare |
| Rogus, Amanda M. "Too Much of a Good Thing is Not Good: An Analysis of Inside Out from the Outside In," Spectrum, vol. 28, no. 2, May 2015, pp. 58-64. |
Publications, Essays |
Film/Cinema |
