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Scott Magelssen and Henry Bial, editors. Theater Historiography: Critical Interventions. U of Michigan Press, 2010.
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Publications, Books |
Historiography |
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Scott Magelssen and Ann Haugo, editors. Querying Difference in Theatre History. Cambridge Scholars, 2007.
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Publications, Books |
Historiography |
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Odai Johnson. Ruins: Classical Theatre and the Archeology of Memory. Book in progress.
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Publications, Books |
Ancient, Classics, Theater History |
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“The Radical Formalism of Suzan-Lori Parks and Sarah Kane,” Theatre Survey 56.2 (May 2015): 213-31 |
Publications, Essays |
20th Century, Drama, Theory/Criticism |
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“Statements Before and After Arrests: Performing at Law’s Edge in Apartheid South Africa,” Law as/and Performance, edited by Austin Sarat, Lawrence Douglas, and Martha Umphrey, The Amherst Series in Law, Jurisprudence, and Social Thought, published by University of Massachusetts Press. |
Publications |
African |
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“Space: Postdramatic Geography in Post-Collapse Seattle,” in Postdramatic Theatre and Form, edited by Michael Shane Boyle, Matt Cornish, and Brandon Woolf. London: Methuen Drama Bloomsbury, 2019: 48-65. |
Publications, Essays |
Theater History, 21st Century, Aesthetics, American, Experimental, German, History, Postmodern, Race and Ethnicity, Radical Theater |
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“Shiva in America: Frontiers of Destruction.” New Plains Review 7.2 (2007): 73-76. |
Publications, Essays |
18th Century, 19th Century, Aesthetics, American, English, History |
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“Right to the Artistic City: Performing Engagements Beyond Austerity in Post-Collapse Chicago” Revue Française d’Etudes Américaines (French Review of American Studies) 148 (2016): 84-97. |
Publications, Essays |
21st Century, Activist Theater, Aesthetics, Critical Theory |
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“Raising Proper Citizens: Uncle Tom’s Cabin and the Sentimental Education of Bulgarian Children during the Soviet Era.” In Uncle Tom’s Cabins: The Transnational History of America’s Most Mutable Book, edited by Tracy C. Davis and Stefka Mihaylova. Ann Arbor: The University of Michigan Press, 2018. 314-42 |
Publications, Essays |
19th Century, 20th Century, Bulgarian, Culture, Literature and Other Arts |
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“Black love? Black love!: All Aboard the presence of punk in Seattle’s NighTraiN” Women & Performance: a journal of feminist theory 22: 2-3 (November 2012): 315-323. |
Publications, Essays, Reviews |
Theater History, Theory/Criticism, 21st Century, Aesthetics, African American, American, Music |
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“An uncharted persistence: Alternative minoritarian theater in austere Chicago,” in Theater and Cultural Politics for a New World, edited by Chinua Thelwell. London: Routledge, 2017: 205-229. |
Publications, Essays |
21st Century, Activist Theater, African American, Arts Management, Asian American, Experimental, Race and Ethnicity, Radical Theater, Social Justice, Theater for Youth |
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“Sighting Segregation Black aesthetics and the materiality of art in St. Louis and Ferguson,” in The Material World of Modern Segregation edited by Iver Bernstein and Heidi Kolk, 2022. |
Publications, Essays |
21st Century, Aesthetics, African American, American, Choreography, History, Performance Studies, Race and Ethnicity, Social Justice, Visual Culture |
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Zimmerman, Shadow D. "Marinetti and Mussolini: Performing Citizenship in Anti-Fascist Italy." Theatre Symposium, Volume 28: Citizenship, edited by Andrew Gibb. Tuscaloosa: University of Alabama Press, 2020. |
Publications, Essays |
Modernism, Performance Studies |
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Wild Kate: A Tale of Revenge at Sea |
Creative Work, Publications |
Playwriting |
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Volume 1. 1750–1915: Theatre in the Colonies and the United States, Barry Witham, Cambridge University Press |
Publications, Books |
Theater History |
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Viewers in Distress: Race, Gender, Religion, and Avant-Garde Performance at the Turn of the 21stCentury |
Publications, Books |
Theater History, Theory/Criticism, 20th Century, 21st Century, Aesthetics, Gender, Women, and Sexuality Studies, Postmodern, Race and Ethnicity, Radical Theater, Reception Studies |
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Uncle Sam Presents, University of Pa Press, (with Tony Buttitta) |
Publications, Books |
20th Century, American, Theater History |
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Translation, “Siirde Düsüncenin Rolü – Siir, Dil ve Düsünce”, “Role of Thought in Poetry, Poetry, Language and Thought”, Paul Valery, in Richard Ellmand & Fiedelson, Charles, Jr, Eds. The Modern Tradition: Backgrounds of Modern Literature, New York: Oxford University Press, 1965, as appeared in E, August 2003, p. 56-62. |
Publications, Translations, Graduate |
Critical Theory |
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Translation, “Sembolizm” from “The Introduction/Symbolism” in Richard Ellman & Fiedelson, Charles, Jr, Eds. The Modern Tradition: Backgrounds of Modern Literature. New York:Oxford University Press. 1965 as appeared in E, June 2003, p.78-84. |
Publications, Translations, Graduate |
Critical Theory |
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Translation, “Gerçekçilik” from “The Introduction/Realism” in Richard Ellman & Fiedelson, Charles, Jr, Eds. The Modern Tradition: Backgrounds of Modern Literature, New York: Oxford University Press, 1965, as appeared in E, November 2003, p.50-54. |
Publications, Translations, Graduate |
Critical Theory |
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Tracy C. Davis and Stefka Mihaylova, eds. Uncle Tom's Cabins: The Transnational History of America's Most Mutable Book. Ann Arbor: The University of Michigan Press, 2018. |
Publications, Books |
19th Century, 20th Century, 21st Century, Drama, Global and Transnational Studies, Literature and Other Arts, Performance Studies |
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Todd London. 15 Actors, 20 Years: Making Lives In and Out of the American Theatre. Dutch Kills Press, 2016. |
Publications, Books |
Acting |
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Todd London. What Price Idealism, or Who You Gonna Dance With? HowIRound, 2013. |
Publications, Essays |
Culture, Playwriting |
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Todd London. The Servant Economy. HowIRound, 2016. |
Publications, Essays |
Acting, Culture |
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Todd London. The Importance of Staying Earnest: Writings from Inside the American Theatre, 1988-2013. NoPassport Press, 2013. |
Publications, Books |
Playwriting |
